The difference between truth and fiction is that fiction has to make sense…
Faced Down by onepeacepoetry:
Hands down
I just basically feel as though
I’ve let everyone around me down
Should I feel this way?
Most likely not
But inside my heart there’s a knot
And I can’t seem to
Set it free
As there is too much
Bothering meHands down
Face down
Why has everything
Turned upside down
The funny thing about poetry is the poetic license that is attached to each working masterpiece that is created by the poet. The poetic license is meant to protect the poet from having his readers attempt to connect fiction to reality. The inevitable quality that poetic license cannot void is the human tendency—to care about the person who has written such a powerful piece, the curiosity of those who desire truth, the need to understand and comfort the poet in spite of the lack of full disclosure given. The other ambiguous characteristic of poetry is the origin to which the poem came to exist: This point precisely is what makes me intrigued by the type of criticism that attempts to claim that there can be indeed a separation between poet and poem.
Despite whether or not he has experienced something directly to the very thing that he had written about, there must have been something to have triggered the desire to write something. I don’t believe in poets who write for writing. Poets write because they’re moved by something. The something had inspired a hand to write words that originally carried no true meaning to transcend them into words that can never be forgotten. Poets can’t deny some form of reality to their poems, but it is done. Why? Because maybe the world he lives in is one that would not understand or is not yet able to truly see the truth the lies behind the words that carry greater value than experienced before.
As I read “Faced Down,” my instincts are to connect it directly to the poet himself. But then, I have to stop myself. Why? Because I remember my long conversation with him about the beauty of poetry that even poets allow themselves to hide in—the illusion of the separation from piece to person. I stop. I read again. And I take the words in for what they are for me and not for what they might be/represent for the poet himself. I do so to give him the full luxury of exploring his growth in the beautiful world of creative writing.
TO my dearest friend, write on. I’ve loved your writing since day one and the journey you’ve been conquering step by step. I can’t wait to read that one classic masterpiece that you define yourself with.




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